Not to wax poetic, But let's talk about Motown. Okay, so we just discussed how when you actually record something, Bleed is inevitability of recording drums back in the day. You click this little black box here, and what you have is your bleed control and what's so super cool about this? And this is like again everyone starting to sit up now engines like, Yes.

This mute is gonna mute all of your bleed coming in which I'm about to show you. This mute is going to mute the channel, right? Thats gonna mute that particular channel. Now this mute and this mute are two different things. It's relative to the phase recorded right there. U can have things in and out of the phase they were recorded in again. If you guys don't know what the pan is on a mixer, probably not in the right class right now. You can create some wild sounds and mix is very cool stuff. And the best way to show it is to give you an example of it, because again, in conjunction with all the other stuff, we learned about sound shipping earlier.

It's gonna control sort of the attack sustaining release off this particular channel in a very unnatural way that you could never do in real life. The fade control is going to the best way to describe it. By the way that I'm pointing out right now, this is the fade control. This is a really cool feature that doesn't exist in real life. The black bar were about to come back to that causes where your bleed controls are. And then we have my favorite, my favorite function of the mixer, which I'm going to skip.

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